NEW YORK (CNS) — The end is nigh, mercifully, in “Maze Runner: The Death Cure” (Fox), based on the third and final novel in James Dashner’s sci-fi trilogy.
And none too soon. Our intrepid band of teenagers, the “Gladers,” look positively worn out, having now spent three movies running for their lives from an evil entity in a dreary (and very dusty) post-apocalyptic world.
Equally tired is T.S. Nowlin’s threadbare screenplay, which returning director Wes Ball conducts at a breakneck pace, turning this film into a white-knuckle roller-coaster ride overstuffed with relentless (if bloodless) violence and more vehicle crashes than you can shake a stick at.
To recap, the future is bleak. The world has been decimated by a deadly virus called the “flare,” which if it doesn’t kill you, turns you into flesh-eating zombies known as “cranks.”
From their perch in the aptly named “Last City” sit the leaders of the “World in Catastrophe: Killzone Experiment Department,” or WCKD. Their (“wicked” indeed) leader, Dr. Ava Paige (Patricia Clarkson), seeks a cure for the virus from the Gladers, who are surprisingly immune.
At her side is Teresa (Kaya Scodelario), a Glader turncoat and erstwhile squeeze of the leader of the teen pack, Thomas (Dylan O’Brien).
The WCKD have abducted Minho (Ki Hong Lee) and several other teens, who become guinea pigs for torturous experiments, since the antidote to the plague may lie in their blood.
Like a dystopian Robin Hood, Thomas leads a merry band of mates, including sidekick Newt (Thomas Brodie-Sangster), out of the forest to stage an assault on the Last City and liberate the captives. Along the way the gang express worthy virtues of friendship, loyalty and self-sacrifice.
Viewers of faith will be intrigued by Christian symbolism and references, including the Gladers’ life-giving blood, a church setting which offers sanctuary, and a character who blesses himself in thanksgiving. While incidental to the plot, they are welcome relief from the ear-splitting boom-boom of the guns and bombs.
Lastly, on a timely note, much is made of the fact that the Last City, which rises from the scorched earth like a gleaming Oz, is surrounded by an impenetrable wall, designed to keep out undesirables (hint, hint). But there is no mention of who paid for the wall’s construction.
The film contains relentless but bloodless violence and gunplay, scenes of torture, occasional crude and profane language, and one offensive gesture. The Catholic News Service classification is A-III — adults. The Motion Picture Association of America rating is PG-13 — parents strongly cautioned. Some material may be inappropriate for children under 13.
McAleer is a guest reviewer for Catholic News Service.
Join the CatholicPhilly.com family
CatholicPhilly.com works to strengthen the connections between people, families and communities every day by delivering the news people need to know about the Catholic Church, especially in the Philadelphia region, and the world in which we live.
By your donation in any amount, you and hundreds of other people become part of our mission to inform, form in the Catholic faith and inspire the thousands of readers who visit every month.
Here is how you can help:
- A $100 gift allows us to present award-winning photos of Catholic life in our neighborhoods.
- A $50 gift enables us to cover a news event in a local parish, school or Catholic institution.
- A $20 gift lets us obtain solid faith formation resources that can deepen your spirituality and knowledge of the faith.
- A small, automated monthly donation means you can support us continually and easily.
Won't you consider making a gift today?
Please join in the church's vital mission of communications by offering a gift in whatever amount that you can ― a single gift of $40, $50, $100, or more, or a monthly donation. Your gift will strengthen the fabric of our entire Catholic community and sustain CatholicPhilly.com as your trusted news source. Thank you in advance!
Make your donation by credit card here:
Or make your donation by check:
222 N. 17th Street
Philadelphia, PA 19103
PREVIOUS: Complex, conflicted ‘I, Tonya’ has no moral uplift but is fascinating
NEXT: ‘The Gilded Age’ asks poignant questions for today
Share this story